On Lorser Feitelson

Lorser Feitelson Papers. Archives of American Art, Smithsonian Institution.

Moran, Diane Degasis. "Lorser Feitelson: Eternal Recurrence." L. Feitelson & H. Lundeberg Art Foundation, 2014.

Colpitt, Frances. “Lorser Feitelson: The Late Paintings.” Lorser Feitelson: The Late Paintings. Louis Stern Fine Arts, exhibition catalogue. West Hollywood: Louis Stern Fine Arts, 2009, pp. 8-10.

Selz, Peter. “The Kinetic Works by Lorser Feitelson.” Lorser Feitelson: The Kinetic Series, Works From 1916-1923. Louis Stern Fine Arts, exhibition catalogue. West Hollywood: Louis Stern Fine Arts, 2005, pp. 9-13.

Duncan, Michael, “Lorser Feitelson’s Hard Edge Abstraction.” Lorser Feitelson and the Invention of Hard Edge Painting 1945-1965. Louis Stern Fine Arts, exhibition catalogue. West Hollywood: Louis Stern Fine Arts, 2003, pp. 17-22.

Hopkins, Henry T. “Lorser Feitelson: An Appreciation.” Lorser Feitelson and the Invention of Hard Edge Painting 1945-1965. Louis Stern Fine Arts, exhibition catalogue. West Hollywood: Louis Stern Fine Arts, 2003, pp. 13-14.

Moran, Diane Degasis. “Three analytical essays on some early works of Lorser Feitelson, ca. 1920.” L. Feitelson & H.L. Feitelson Arts Foundation, 1981.

Moran, Diane Degasis. “Lorser Feitelson.” Lorser Feitelson and Helen Lundeberg. San Francisco Museum of Modern Art, exhibition catalogue. San Francisco: San Francisco Museum of Modern Art, 1980, pp. 8-22.

Moran, Diane Degasis. “The Paintings of Lorser Feitelson.” Ph.D. dissertation, University of Virginia, 1979.

Lorser. [Motion Picture]. Los Angeles: David O. Pfiel, 1972.

Interviews

Feitelson, Lorser. Interview conducted by Fidel Danieli, Oral History Porgram. University of California, Los Angeles 1974.

Feitelson, Lorser. Interview conducted by Betty Hoag. Archives of American Art, Smithsonian Institution,12 May and 9 June 1964, 17 March 1965: microfilm 3419.

“Eclecticism – What is it?” Los Angeles Times, 26 January 1930, III, p. 24.

“The Neo-Classic Movement.” The Argus (San Francisco), May 1928, p. 8.

“What is Postsurrealism?” Spanish Village Art Quarterly (San Diego), Spring 1941, p. 6.

Introduction to S. Macdonald-Wright, 35 Years of Creative Painting. Los Angeles: The Art Center School Gallery, 1948.

Reprinted in “Tributes to Stanton Macdonald-Wright.” American Art Review, January-February 1974, p. 54.

Statement in University of Illinois Exhibition of Contemporary American Painting. Urbana: College of Fine and Applied Arts, 1950, p. 173.

Statement in University of Illinois Exhibition of Contemporary American Painting. Urbana: University of Illinois Press, 1951, p. 176.

Schrank, Sarah. Art and the City: Civic Imagination and Cultural Authority in Los Angeles. Philadelphia: University of Pennsylvania Press, 2009, pp. 56-57, 84, 101, 103.

Armstrong, Elizabeth. “The Square and the Cool: California Art, Design, and Culture at Midcentury.” Birth of the Cool: California Art, Design, and Culture at Midcentury. Ed. Elizabeth Armstrong. Newport Beach: Prestel, 2007, plates 18, 23, 40-41, 82, 84, 87, 107, p. 39.

Colpitt, Frances. “Hard-Edge Cool.” Birth of the Cool: California Art, Design, and Culture at Midcentury. Ed. Elizabeth Armstrong. Newport Beach: Prestel, 2007, plates 18, 23, 40-41, 82, 84, 87, 107, pp. 82-83, 88, 90, 95.

Hurewitz, Daniel. Bohemian Los Angeles and the Making of Modern Politics. London: University of California Press, 2007, pp. 98-101, 109.

Frank, Peter. “Driven to Abstraction: Southern California and the Non-Objective World, 1950-1980.” Driven to Abstraction: Southern California and the Non-Objective World, 1950-1980. Riverside Art Museum, exhibition catalogue. Riverside, California, 2006, p. 9.

Dervaux, Isabelle. Surrealism USA. National Academy Museum, exhibition catalogue. New York: Hatje Cantz Publishers, 2005, plates 23 and 24.

Trenton, Patricia. “Before the World Moved In: Early Modernist Still Life in California, 1920-1950.” The Not-So-Still Life: A Century of California Painting and Sculpture. Landauer, Susan, Gerdts, William H. et al, eds. San Jose Museum of Art, exhibition catalogue. London: University of California Press, 2003, plate 4, 62, pp. 69-71.

Duncan, Michael. Post Surrealism: Genesis and Equilibrium. Pasadena Museum of California Art and the Nora Eccles Harrison Museum. Pasadena, California, and Logan, Utah: Utah State University, 2002.

Anderson, Susan M. “Journey Into the Sun: California Artists and Surrealism.”  On the Edge of America: California Modernist Art, 1900-1950. Karlstrom, Paul J., ed. London: University of California Press, 1996, pp. 182-185, 192, 201-202.

Dijkstra, Bram. “Early Modernism in Southern California: Provincialism or Eccentricity?” On the Edge of America: California Modernist Art, 1900-1950. Karlstrom, Paul J., ed. London: University of California Press, 1996, pp. 157-158, 160-161, 166, 169, 173.

Karlstrom, Paul J. On the Edge of America: California Modernist Art, 1900-1950. London: University of California Press, 1996, pp. 10, 13.

Landauer, Susan. “Painting Under the Shadow: California Modernism and the Second World War.” On the Edge of America: California Modernist Art, 1900-1950. Karlstrom, Paul J., ed. London: University of California Press, 1996, pp. 34, 42-43, 62.

Ehrlich, Susan. “Pacific Dreams: Currents of Surrealism and Fantasy in California Art, 1934-1957.” Pacific Dreams: Currents of Surrealism and Fantasy in California Art, 1934-1957. UCLA and Armand Hammer Museum of Art and Cultural Center, exhibition catalogue. Los Angeles: Regents of the University of California, 1995, pp. 20-23, 106-109.

Smith, Richard, C. Utopia and Dissent: Art, Poetry, and Politics in California. London: University of California Press, 1995, plate 3, pp. 3, 9, 19-21, 37-38.

Wheeler, Daniel. Art Since Mid-Century: 1945 to the Present. New York: Vendome Press, 1991, p. 198.

Wechsler, Jeffrey and Greta Berman. Realism and Realities: the OTHER SIDE of American Painting 1940-1960. Rutgers, State University of New Jersey, 1981, pp. 149,150.

Munro, Eleanor. Originals: American Women Artists. New York: Simon & Schuster, 1979, pp. 170, 172, 174-176, 495n.

Cummings, Paul. Dictionary of Contemporary American Artists. New York: St. Martin’s Press, 1977, pp. 186-187.

Smith, Lyn Wall, and Nancy Dustin Wall Moure. Index to Reproductions of American Paintings. Metuchen, N.J.: Scarecrow Press, 1977, p. 221.

Ashton, Dore. Yes, but… A Critical Study of Philip Guston. New York: Viking Press, 1976, pp. 19-20, 22-23.

Moure, Nancy Dustin Wall. Dictionary of Art and Artists in Southern California Before 1930. Los Angeles: Dustin Publications, 1975, pp. 84-85.

Moure, Phyllis. Artists’ Clubs and Exhibitions in Los Angeles Before 1930. Los Angeles: Dustin Publications, 1975.

Plagens, Peter. Sunshine Muse: Contemporary Art on the West Coast.  New York: Praeger, 1974, pp. 18, 29, 117, 118.

O’Connor, Francis V., ed. Art for the Millions. Boston: New York Graphic Society, 1973, p. 298.

Catalog of the Permanent Collection of Painting and Sculpture. San Francisco: San Francisco Museum of Art, 1970, pp. 40-41

Mendelowitz, Daniel M. A History of American Art. New York: Holt, Rinehart, & Winston, 1970, pp. 456, 457.

The Artist in America. [Compiled by the Editors of Art in America]. New York: Norton, 1967, pp. 231,251.

Rickey, George. Constructivism: Origins and Evolution. New York: George Braziller, 1967, pp. 66,133.

Index to Reproductions of American Paintings. First Supplement. New York: H. W. Wilson, 1964, p. 164.

Seuphor, Michel. Abstract Painting: Fifty Years of Accomplishment from Kandinsky to the Present. New York: Abrams, 1962, pp. 242, 304.

Jean, Marcel. The History of Surrealist Painting. New York: Grove Press, 1960, p. 274.

Pierson, William H., Jr., and Martha Davidson, eds. Arts of the United States, a Pictorial Survey. New York: McGraw-Hill, 1960, pp. 79, 340.

Baur, John I. H. Revolution and Tradition in Modern American Art. Cambridge: Harvard University Press, 1951, p. 106, fig. 22.

Monro, Isabel Stevenson, and Kate M. Monro. Index to Reproductions of American Paintings. New York: H. W. Wilson, 1948, p. 232.

1924  

“Painters Form Lively Group: An Enjoyable Exhibition of Moderns at the           

Daniel Gallery.” The World (New York), 17 February 1924, p. 7. Review.

1928

“Living Artists to the Fore.” Los Angeles Times, 5 February 1928, Ill, p. 14. Review.

Millier, Arthur. “In Los Angeles Galleries.” The Argus (San Francisco), March 1928, p. 8. Review.

Salinger, Jehanne Biétry. “In San Francisco Galleries.” The Argus (San Francisco), September 1928, pp. 9, 12. Review.

1926

Watson, Forbes. “Properties and Experiments.” The Arts, April 1926, p. 209.

1929

Millier, Arthur. “Springboards for Art.” Los Angeles Times, 8 September 1929, Ill, p. 14. Review.

“News of the Art Worlds.” Los Angeles Times, 4 August 1929, Ill, p. 18.

1930

“Brooklyn Museum Shows Neo-Classic Art.” Art Digest, August 1930, p.13. Review.

“Seen in Club and Temple.” Los Angeles Times, 28 December 1930, Ill, p. 6. Review.

“The Summer Exhibition.” Brooklyn Museum Quarterly, October 1930, pp.141, 143, 145.

1936

Clements, Grace. “New Content – New Form.” Art Front, March 1936.

Jewell, Edward Alden. “Brisk Pace in Museums.” New York Times, 17 May 1936, Sec. 9, p. 10. Review.

Mac-Gurrin, Buckley. “Home-made Art Movement Performs as Scheduled.” Rob Wagner’s Script (Los Angeles), 25 July 1936, p. 16.

Millier, Arthur. “Our Artists in Person: Lorser Feitelson.” Los Angeles Times, 16 February 1936, Ill, p. 9.

“Postsurrealism, the Supermodern.” The Literary Digest, 11 July 1936, p. 23. Review.

1933

Merlin, Milton. “Books – Art – Drama.” Touring Topics, July 1933, p. 32. Review.

Millier, Arthur. “Fresco, ‘Neo-Classicism’ and Some Fresh Talents.” Los Angeles Times, 22 January 1933, II, p. 2. Review.

1937

Mac-Gurrin, Buckley. “Art Stuff– Of, by and for the People.” Rob Wagner’s Script, Los Angeles, 14 August 1937.

1934

Millier, Arthur. “New Developments in Southern California Painting.” The American Magazine of Art, May 1934, pp. 244, 247.

“Surrealists Take Time by Forelock and Stage Exhibit.” Los Angeles Times, 25 November 1934, II, p. 6. Review.

1938

Mac-Gurrin, Buckley. “Art Stuff – Block that Kick!” Rob Wagner’s Scrip, Los Angeles, 7 May 1938.

1935

“On a Mexican Wall.” Time, 1 April 1935, pp. 46, 48.

“Paint, Theory, Prints Liven This Week’s Art Exhibitions.” Los Angeles Times, 29 September 1935, II, p. 7. Review.

1939

”Hitting High Spots of Midseason Art Show.” Los Angeles Times, 12 March 1939, Ill. p. 8. Review.

1940

Millier, Arthur. “Lorser Feitelson.” California Arts and Architecture, May1940, p. 8.

1947

Millier, Arthur. “Artists Here Go Beyond Things Seen.” Los Angeles Times, 23 May 1947, Ill, p. 4. Review.

1944

Macdonald-Wright, S. “Art Stuff.” Rob Wagner’s Script (Los Angeles), 22 January 1944, p. 22. Review.

M[illier], A[rthur]. “Feitelson Shows His Work as ‘Artist in Transition.’” Los Angeles Times, 6 February 1944, Ill, p. 5. Review.

1948

“Feitelson Directs.” Art Digest, 15 September 1948, p. 38.

Ross, Kenneth. “Gold Rush’ 48.” Art News, January 1948, pp. 16, 17.

1945

M[illier], A[rthur]. “Woman Has Edge in Show of Drawings.” Los Angeles Times, 7 January 1945, Ill, p. 4. Review. 

1949

“Dual Show Seen in Works at Art Center Galleries.” Daily News (Los Angeles), 16 July 1949, p. 21. Review.

Millier, Arthur. “Exhibit is Contrast of Vigor and Delicacy.” Los Angeles Times, 17 July 1949, IV, p. 6. Review.

1951

“Bowron Sets Own Hearing in Art Row.” Citizen News (Hollywood), 25 October 1951, p. 1.

Langsner, Jules. “Art News From Los Angeles.” Art News, December1951, p. 63. Review.

1955

Ames, Walter. “New Art Show Tones Up TV Screen.” Los Angeles Times, 6 October 1955, Ill., p. 5.

Macdonald-Wright, S. “Art News From Los Angeles.” Art News, October 1955, pp. 8, 59. Reprinted in the Los Angeles Institute of Contempoary Art Journal, April-May 1975, pp. 44-45.

1952

Langsner, Jules. “Art News From Los Angeles.” Art News, November 1952, p. 50. Review.

“Art News From Los Angeles.” Art News, November 1952, pp. 50. Review.

Millier, Arthur. “Abstract Works Star in Feitelson Exhibit.” Los Angeles Times, 30 March 1952, IV, p. 6. Review.

“Pioneer in California.” Art Digest, 1 April 1952, pp. 15-16. Review.

1956

Palmer, Zuma. “Feitelson’s Art Series Finding An Audience.” Radio-Television, 15 November 1956, p.10.1958  

Langsner, Jules. “This Summer in Los Angeles.” Art News, Summer 1958, p. 58. Review.

Millier, Arthur. “Feitelson’s Show Works.” Los Angeles Times, 30 March 1958, V. p.7. Review.

1953

Wight, Frederick S. “Los Angeles.” Art Digest, 1 December 1953, pp. 18, 31. Review.

1959

Frankenstein, Alfred. “Some Reassurance from Abstract Classicists.” San Francisco Chronicle, 8 July 1959, p. 35. Review.

Kessler, Charles S. “Los Angeles: Abstract Classicists.” Arts, December 1959, p. 23. Review.

Langsner, Jules. “Art News from Los Angeles.” Art News, September 1959, p. 50. Review.           

Tillim, Sidney. “What Happened to Geometry.” Arts, June 1959, pp. 38, 44.           

Wurdemann, Helen. “Variety in the Los Angeles Area.” Art in America, Fall 1959, p. 129. Review.

1954

Langsner, Jules. “Art News From Los Angeles.” Art News, January 1954, p. 21. Review.

1960

Alloway, Lawrence. “Classicism or Hard-Edge?” Art International, 4;2-3 (1960), p. 60. Review.

1965

B[arnes], M[olly]. “Group Show, Ankrum Gallery.” Artforum, November 1965, p. 12. Review.

Wurdemann, Helen. “A Stroll on La Cienega.” Art in America, October-November 1965. pp. 115, 116. Review.

1962

“Feitelson, Gerchik, Schifrin.” Artforum, July 1962, pp. 20-25. Discussion with Arthur Secunda.

Cherry, Herman. “Letters.” Artforum, August 1962, p.2. (Response to “Feitelson, Gerchik, Schifrin”, above.)

Feitelson, Lorser. “Letters.” Artforum, September 1962, p.2. (Reply from Feitelson to Herman Cherry’s letter, above.)

Wilder, Mitchell. “A Stirring in the Pacific Paint Pot.” Saturday Review, 20 October 1962, pp. 56, 58. Review.

Wurdemann, Helen. “Directors’ Choice. Los Angeles: Feitelson, Wight, Jarvaise.” Art in America, Winter 1962, p. 126.

1966

Davis, Douglas. “Look at Los Angeles Now-the New ‘Second City’ of Art.” The National Observer, 9 May 1966, p. 24.

Kurzen, Estelle. “Los Angeles.” Artforum, December 1966, p.60. Review.

Perkins, Constance M. “Los Angeles: The Way You Look at It.” Art in America, March-April 1966, p. 144.

Seldis, Henry J. “Locals Get Chance in Lytton Exhibit.” Los Angeles Times, 4 July 1966, V, p.13. Review.

Wilson, William. “Didactic Exhibit at Lytton Gallery.” Los Angeles Times, 21 October 1966, p. 10. Review.

1963

Langsner, Jules. “Permanence and Change in the Art of Lorser Feitelson.” Art International, September 1963, pp. 73-76

Leider, Philip, and John Coplans. “West Coast Art: Three Images.” Artforum, June 1963, pp. 22, 24. Review.

Millier, Arthur. “Art of our City.” Los Angeles, June 1963, p. 54.

W[holden], R[osalind] G. “Lorser Feitelson, Ankrum Gallery.” Artforum, 1:7 [1963], pp. 14,15. Review.

1967

Howell, Betje. “Perspective on Art.” Independent (Beverly Hills), 17 Aujust 1967, Review.

1964

Coplans, John. “Circle of Styles on the West Coast.” Art in America, June 1964, pp. 32, 33, 36.

“Formal Art.” Artforum, Summer 1964, pp. 42, 44.

“John McLaughlin, Hard Edge, and American Painting.” Artforum, January 1964, p.31.

E[walt], M[ary]. “Early Modern Paintings by California Artists, Long Beach Museum of Art.” Artforum, February 1964, p. 12. Review.

O[pliger], C[urt]. “Lorser Feitelson, Ankrum Gallery.” Artforum, May 1964, pp. 14, 17. Review.

von Breton, Harriet. “Phoenix.” Artforum, September 1964, p. 48. Review.

W[eeks], H. J. “First Annual Pacific Art Classic, Van Nuys Savingsand Loan Assoc.” Artforum, November 1964, p. 18. Review.

1968

Lynes, Russell. “The Mesh Canvas.” Art in America, May-June 1968, p. 43 and cover.

1970

Seldis, Henry J. “Lorser Feitelson.” Art International, May 1970, pp. 48-52.

1975

Danieli, Fidel. “Peter Krasnow: Pioneer Los Angeles Modernist.” Artweek, 22 March 1975, p. 5.

Plagens, Peter. “The Soft Touch of Hard Edge.” Los Angeles Institute of Contemporary Art Journal, April-May 1975, pp. 16-18.

Selz, Peter and June Harwood, Karl Benjamin. “Setting the Record Straight.” Los Angeles Institute of Contemporary Art Journal, April-May 1975, pp. 11-15.

1971

Young, Joseph E. “Helen Lundeberg: An American Independent.” Art International, September 1971, pp. 46, 47, 50, 72.

1976

Frankenstein, Alfred. “A Confrontation with the Modern Era.” San Francisco Chronicle, World. 12 September 1976, pp. 33, 34. Review.

1972

Howell, Betje. “Overdue Lorser Feitelson Survey at Municipal.” Los Angeles Herald-Examiner, 13 August 1972, p. F-8. Review.

Jacobson, Linda, and Marilyn Nix. “Lorser Feitelson Retrospective.” Artweek, 9 September 1972, pp. 1, 12. Review.

Seldis, Henry J. “Pioneer Modernist: Forty-Five Years of Lorser Feitelson.” Los Angeles Times, Calendar, 27 August 1972, pp. 51-52. Review.

Wilson, William. “Saving the W.P.A. Murals.” Los Angles Times, 21 August 1972, IV, p.3.

“A New Life for Art on the New Deal.” Los Angles Times, 4 May 1972, IV, pp. 3,15.

Young, Joseph E. “Lorser Feitelson and Los Angeles Modernism.” Artweek, 21 October 1972, pp. 9-11.

1977

Albright, Thomas. “California Art Since the ‘Modern Dawn.’” Art News, January 1977, pp. 69, 70. Review.           

Gruen, John, ed. “Far-from-Last Judgments or, Who’s Overrated Now? And Underrated.” Art News, November 1977, pp. 112, 113.

Kramer, Hilton. “A Survey of California Art.” New York Times, 19 June 1977, p. 27.           

Moran, Diane Degasis. “On Lorser Feitelson.” Art International, October-November 1977, pp. 16-17, 35-41.

St. John, Terry. “Two Pioneering Southern California Modernists.” ART (Art Guild of the Oakland Museum Association), May, June 1977, Volume 5, Number 3.           

Wilson, William. “Art Walk.” Los Angeles Times, 7 October 1977, IV, p. 16. Review.           

Wortz, Melinda. “Five Footnotes to Modern Art History.” Art News, January 1977, pp. 73, 75. Review.

1973

Plagens, Peter. “Before What Flowering? Thoughts on West Coast Art.” Artforum, September 1973, p. 37.

1978

Harwood, June. “In Memorian: Lorser Feitelson.” Los Angeles Times, 11 June 1978.

Wilson, William. “Abstract Painter Lorser Feitelson Dies.” Los Angeles Times, 26 May 1978.

1974

Danieli, Fidel. “Nine Senior Southern California Painters.” Los Angeles Institute of Contemporary Art Journal, October 1974, pp. 32-34.

Erzen, Jale Nejdet. “The Single Line Paintings of Lorser Feitelson.” Sourcebook, November-December 1974, pp. 18-19.

Seldis, Henry J. “The Pioneer Modernists: A Sure Cure for Amnesia.” Los Angeles Times, 8 December 1974, p. 102. Review.

Wortz, Melinda. “Nine Senior Los Angeles Artists.” Artweek, 14 December 1974, pp. 1,16. Review. 

1979

Kramer, Hilton. “Art: Exponent of Hard-Edge Abstraction.” New York Times, 5 January 1979, p. C16. Review.                       

Reprinted in San Francisco Chronicle, World, 14 January 1979, p. 51.

Seldis, Henry J. “Lorser Feitelson.” Art International, May 1979, pp. 48-52.

1980

Albright, Thomas. “Hard Edge Modernists From Southern California.” Review, 12 October 1980, pp. 14, 15.

Dunham, Judith L. “Lorser Feitelson and Helen Lundeberg: Collaborative Lives, Individual Achievement.” Artweek, 1 November 1980, Volume 11, Number 36.

1985  

Ianco-Starrels, Josine. “Art News.” Los Angeles Times, 27 January 1985.

Ianco-Starrels, Josine. “Art News.” Los Angeles Times, 25 August 1985.

McKenna, Kristine. “The Galleries.” Los Angeles Times, 17 May 1985,IV, p.10. Review.

Muchnic, Suzanne. “Contrasting Exhibits with a Common Thread.” Los Angeles Times, 10 February 1985, pp.91-92.

Muchnic, Suzanne. “‘Colorforms’: an Old-Fashioned Salute.” Los Angeles Times, 3 June 1985, IV, pp. 1,6.

Welchman, John. “California Had Its Own Avant-Garde.” Artnews. May 1985, pp. 105, 106.

1981

“Galleries.” Los Angeles Times, 8 May 1981, IV, p. 4.

Ianco-Starrels, Josine. “Pioneer Couple Share Billing.” Los Angeles Times, 15 March 1981.

Stofflet, Mary. “Double View: Helen Lundeberg and Lorser Feitelson.” Images and Issues 1, Number 4, Summer 1981, pp. 16-17.

Wilson, William. “Sensitive Palettes of Feitelson – Lundeberg.” Los Angeles Times, 5 April 1981, pp. 1, 92.

1986

Ianco-Starrels, Josine. “Eight Million Stories.” Los Angeles Times, 28 December, 1986, P.86. Review.

1982

“The Galleries.” Los Angeles Times, 3 December 1982, IV, p. 18. Review.

Moran, Diane Degasis. “Post-Surrealism: The Art of Lorser Feitelson and Helen Lundeberg.” Arts 57, Number 4, December 1982, pp. 124-128.

Muchnic, Suzanne. “The Galleries.” Los Angeles Times, 5 March 1982, IV, p.14. Review.

1987

McKenna, Kristine. “The Galleries.” Los Angeles Times, 6 February 1987, IV. Review.

1983

“The Galleries.” Los Angeles Times, 3 June 1983, VI, p.10. Review.

1988

de Lima Greene, Alison. “The Artist as Performer.” Arts Magazine, November 1988, pp.55,56.

1990

Curtis, Cathy. “Feitelson’s Serene and Anxious Forms.” Los Angeles Times, 5 October 1990, p. 24. Review.

1992

Fort, Ilene Susan. “Post-Surrealism: The Art of Lorser Feitelson and Helen Lundeberg.” Arts 57, December 1992, pp. 124-128.

1991

Baker, Kenneth A. “California Abstractionists of the 1940s and 1950s.” Architectural Digest, May 1991, pp. 66, 70, 74,76.

1996

Duncan, Michael. “What’s Wrong With This Picture?” LA Weekly, 20-26 December 1996, pp. 62, 63.

2006

Glueck, Grace. “Art in Review: Lorser Feitelson.” New York Times, June 2, 2006.

2011

Artist, Steve Roden as told to Jori Finkel. ”Life Begins" by Lorser Feitelson,” Los Angeles Times, March 16, 2011.

2007

Melrod, George. “Orange County Cool.” Art Ltd., November 2007.

Leffingwell, Edward. “Lorser Feitelson at Washburn.”Art in America, January 2007.

2016

Knight, Christopher. “Finding New Dimensions In 'Abstract Classicists' at Louis Stern” Los Angeles Times, June 17, 2016.

2009

Knight, Christopher. “Art review: Lorser Feitelson at Louis Stern Fine Arts” Los Angeles Times, October 2, 2009.

2018

Stephens, John. “1960s California Hard-Edge: Karl Benjamin, Lorser Feitelson and Helen Lundeberg.” Saturation Point, August 2018.

“1960s California Hard-Edge: Karl Benjamin, Lorser Feitelson and Helen Lundeberg.” Art Week, July 14, 2018.

Osberg, Annabel. “Lorser Feitelson.” Artillery, April 11, 2018.

Lasarow, Bill. “Preview: Lorser Feitelson: Figure to Form” Visual Art Source, February 2018.